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_a9781000399103 (PDF ebook) : _c36.99 |
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_a781.6509 _223 |
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_aArtistic research in jazz : _bpositions, theories, methods / _cedited by Michael Kahr. |
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_aLondon : _bRoutledge, _c2021. |
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_a1 online resource (240 pages) : _billustrations (black and white) |
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_acomputer _2rdamedia |
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_aonline resource _2rdacarrier |
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_b20210715 _cIn stock |
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| 505 | 0 | _aArtistic Research in Jazz: An Introduction Michael KahrPart I: Improvisation, Theory, and History1. Improvising Artistic Research Marcel Cobussen2. Improvising Touch: Musical Improvisation Considered as a Tactile PracticeVincent Meelberg3. Mapping Jazz's Affect: Implications for Music Theory and AnalysisChris Stover4. Artistic Research in Jazz: Historical ContextsMichael KahrPart II: Institutional and Pedagogical Considerations5. Wordplay: Negotiating the Conservatory `Culture Clash'Petter Frost Fadnes6. The Lessons of Jazz: What We Teach When We Teach Jazz in CollegeTracy McMullen 7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture TodayWilliam C. BanfieldPart III: Specific Projects8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led PracticeRoger T. Dean 9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in JazzRobert L. Burke 10. Articulating Musical Practice and Research: Notes on a South African Recording ProjectMarc Duby11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz Andrew Bain | |
| 520 | 8 |
_aThis title presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research. _bThis book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding theoretical, methodological, and analytic perspectives.A panel of eleven international contributors presents an in-depth discourse on shared and specific approaches to artistic research in jazz, aiming at an understanding of the specificity of current practices, both improvisational and composed. The topics addressed throughout consider the cultural, institutional, epistemological, philosophical, ethical, and practical aspects of the discipline, as well as the influence of race, gender, and politics. The book is structured in three parts: first, on topics related to improvisation, theory and history; second, on institutional and pedagogical positions; and third, on methodical approaches in four specific research projects conducted by the authors.In thinking outside established theoretical frameworks, this book invites further exploration and participation, and encourages practitioners, scholars, students, and teachers at all academic levels to shape the future of artistic research collectively. It will be of interest to students in jazz and popular music studies, performance studies, improvisation studies, music philosophy, music aesthetics, and Western art music research. |
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| 588 | _aDescription based on CIP data; resource not viewed. | ||
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_aJazz _xHistory and criticism. |
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| 650 | 0 |
_aJazz _xPhilosophy and aesthetics. |
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| 650 | 0 | _aImprovisation (Music) | |
| 650 | 0 |
_aJazz _xInstruction and study. |
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| 650 | 0 | _aMusicology. | |
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_aMusic. _2ukslc |
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_aMusic _2thema |
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_aThe arts: general issues _2thema |
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_aTheatre studies _2thema |
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| 650 | 7 |
_aPopular music _2thema |
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_aPopular music _2thema |
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_aPopular culture _2thema |
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_aKahr, Michael, _d1975- _eeditor. |
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_iPrint version : _z9780367225957 |
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_uhttps://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&accId=8832856&isbn=9781000399103 _zOpen e-book |
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