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008			220105s2022 nyu sb 001 0 eng
010			_a 2022000304
020			_a9780190237011 (e-book)
040			_aDLC _beng _erda _cDLC
042			_apcc
050	0	0	_aMT90 _b.A555 2022
082	0	0	_a780.92/52 _223
245	0	0	_aAnalytical essays on music by women composers : _bConcert music, 1900-1960 / _cedited by Laurel Parsons and Brenda Ravenscroft.
246	3	0	_aConcert music, 1900-1960
263			_a2206
264		1	_aNew York : _bOxford University Press, _c2022.
300			_apages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aAnalytical essays on music by women composers ; _vvolume 2
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers.
520			_a"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"-- _cProvided by publisher.
650		0	_aMusic by women composers _y20th century _xAnalysis, appreciation.
650		0	_aMusic _y20th century _xAnalysis, appreciation.
700	1		_aParsons, Laurel, _eeditor.
700	1		_aRavenscroft, Brenda, _d1961- _eeditor.
776	0	8	_iOnline version: _tAnalytical essays on music by women composers _b[1.] _dNew York : Oxford University Press, 2022 _z9780197637364 _w(DLC) 2022000305
856			_uhttps://oup-sp.sams-sigma.com/Shibboleth.sso/Login?entityID=https://idp.uwl.ac.uk/idp/shibboleth&target=https://oup-sp.sams-sigma.com/shib?dest=https://www.academic.oup.com/SHIBBOLETH?dest=https://doi.org/10.1093/oso/9780190236984.001.0001 _yOpen e-book
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