000			01621nam a22003498i 4500
001			713397
005			20210719185413.0
008			140918s2014 nyu f 001|0|eng|d
020			_a9780231165822 (hbk.) : _c£62.00
020			_a9780231165839 (pbk.) : _c£20.50
035			_a(StDuBDS)9780231165822
040			_aStDuBDS _cStDuBDS _erda
072		7	_aMUS _2eflch
072		7	_aMUS _2ukslc
082	0	4	_a781.5'42'0973'09042 _223
100	1		_aSlowik, Michael, _eauthor.
245	1	0	_aAfter the silents : _bHollywood film music in the early sound era, 1926-1934 / _cMichael Slowik.
264		1	_aNew York : _bColumbia University Press, _c2014.
300			_a352 pages ; _c23 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	1		_aFilm and culture
504			_aIncludes bibliographical references and index.
520	8		_aMany believe Max Steiner's score for 'King Kong' (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926-1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period. Michael Slowik launches a comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the 'Golden Age' of film music (1935-1950).
521			_aSpecialized.
650		0	_aMotion picture music _zUnited States _xHistory and criticism.
650		7	_aMusic. _2eflch
650		7	_aMusic. _2ukslc
830		0	_aFilm and culture.
942			_n0
999			_c59255 _d59255