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006			m o d |
007			cr cnu||||||||
008			151118t20162016njua ob s001 0 eng|d
020			_z9780813570822 (hardback)
020			_z9780813570815 (pbk.)
020			_z9780813570815
020			_a9780813570839 (e-book)
035			_a(MiAaPQ)EBC4647677
035			_a(MiAaPQ)EBC4647677
035			_a(Au-PeEL)EBL4647677
035			_a(CaPaEBR)ebr11247920
035			_a(CaONFJC)MIL947887
035			_a(OCoLC)930364369
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ _dUkLoUWL
050		4	_aTR899 _b.E325 2016
082	0		_a777/.55 _223
245	0	0	_aEditing and special/visual effects / _cedited by Charlie Keil and Kristen Whissel.
264		1	_aNew Bruswick, New Jersey : _bRutgers University Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (278 pages) : _billustrations.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aBehind the silver screen ; _v6
504			_aIncludes bibliographical references and index.
520			_a"Editing and Special/Visual Effects takes the reader behind the screen to understand how these two crucial crafts define the viewing experience of film audiences. This book provides an historical overview of each of these two crafts, from the earliest days of stop-motion substitution, which combined editing and in-camera effects, to the current digital era, where both cuts and the illusion of an unbroken take can be created in post-production. This volume examines the power of editing to create the strong sense of narrative flow in the American cinema, with its focus on continuity and viewer orientation. At the same time, it charts the increasing reliance on fast cuts and rapidly altered shot scale to produce the viscerally exciting style of editing that many contemporary films feature. In its study of effects artistry, this book addresses the full range of such techniques, from multiple exposures and split-screen effects, to matte shots and rear projection, through to today's dizzying array of CGI and digital visual effects. While digital technologies have been integral to the latest phase of special/visual effects work, craft specialists have relied on a wide array of technologies over the years, and this book traces the development of the art and techniques that have been instrumental to the deployment of seamless effects in feature-length films. Often working hand-in-hand, the domains of editing and special/visual effects have shaped film style and aesthetics in ways that have enriched American cinema throughout its existence"-- _cProvided by publisher.
588			_aDescription based on print version record.
590			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aMotion pictures _xEditing.
650		0	_aCinematography _xSpecial effects.
700	1		_aKeil, Charlie, _eeditor.
700	1		_aWhissel, Kristen, _d1969- _eeditor.
776	0	8	_iPrint version: _tEditing and special/visual effects. _dNew Bruswick, New Jersey : Rutgers University Press, [2016] _kBehind the silver screen ; 6 _z9780813570815
797	2		_aProQuest (Firm)
830		0	_aBehind the silver screen (Series) ; _v6.
856	4	0	_uhttps://ebookcentral.proquest.com/lib/uwestlon/detail.action?docID=4647677 _zClick to View (325 credits)
942			_n0
999			_c59017 _d59017