000			02131nam a22004098i 4500
001			710093
005			20210719183951.0
008			190128s2019 enk f b 001|0|eng|d
020			_a9780367028879 (hbk.) : _c£115.00
020			_z9780429671494 (ePub ebook) : _c£41.99
020			_z9780429672989 (PDF ebook) : _c£41.99
020			_z9780429670008 (Mobipocket ebook) : _c£41.99
020			_z9780429019319 (ebook) : _c£41.99
035			_a(StDuBDS)9780367028879
040			_aStDuBDS _beng _cStDuBDS _erda
072		7	_aMUS _2eflch
072		7	_aMUS _2ukslc
082	0	4	_a781.5'42'0922 _223
100	1		_aWierzbicki, James Eugene, _eauthor.
245	1	0	_aDouble lives : _bfilm composers in the concert hall / _cJames Wierzbicki.
264		1	_aLondon : _bRoutledge, _c2019.
300			_a254 pages ; _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	1		_aRoutledge research in music
504			_aIncludes bibliographical references, filmography and index.
520	8		_aThis is a collection of 15 essays dealing with 'iconic' film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers' concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer's music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices.
521			_aSpecialized.
650		0	_aMusic _y20th century _xHistory and criticism.
650		0	_aMusic _y21st century _xHistory and criticism.
650		0	_aFilm composers.
650		7	_aMusic. _2eflch
650		7	_aMusic. _2ukslc
830		0	_aRoutledge research in music.
942			_n0
999			_c56848 _d56848