000 | 01932nam a22003378i 4500 | ||
---|---|---|---|
001 | 709778 | ||
005 | 20210719183846.0 | ||
008 | 171116s2017 enk 000|0|eng|d | ||
020 |
_a9781472473172 (hbk.) : _c£105.00 |
||
035 | _a(StDuBDS)9781472473172 | ||
040 |
_aStDuBDS _beng _cStDuBDS _erda |
||
072 | 7 |
_aMUS _2eflch |
|
072 | 7 |
_aMUS _2ukslc |
|
082 | 0 | 4 |
_a781.5'42'092 _223 |
100 | 1 |
_aCooper, David, _d1956- _eauthor. |
|
245 | 1 | 4 |
_aThe screen music of Trevor Jones : _btechnology, process, production / _cDavid Cooper, Ian Sapiro. |
264 | 1 |
_aLondon : _bRoutledge, _c2017. |
|
300 |
_a284 pages ; _c24 cm. |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
490 | 1 | _aAshgate screen music series | |
520 | 8 | _aTrevor Jones is one of the most successful contemporary British-based composers of film and television music and is seen by his peers as an influential figure in the industry. He is distinguished by the range and volume of high profile projects he has worked on, the directors with whom he has collaborated, and his development of novel approaches to the creation of film music. Drawing on the resources in the Trevor Jones Archive at the University of Leeds, the authors undertake a critical investigation of Jones's career and output from his time at the National Film School to the present. The study analyses the development of Jones's working practices over time, notably with respect to technological advances, evaluating key phases in his career within the context of changes in both the British and global film- and television-music industries. | |
600 | 1 | 0 |
_aJones, Trevor, _d1949 March 23- _xCriticism and interpretation. |
650 | 0 |
_aMotion picture music _xHistory and criticism. |
|
650 | 7 |
_aMusic. _2eflch |
|
650 | 7 |
_aMusic. _2ukslc |
|
700 | 1 |
_aSapiro, Ian, _eauthor. |
|
830 | 0 | _aAshgate screen music series. | |
942 | _n0 | ||
999 |
_c56635 _d56635 |