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008			191216t20192019nyua fsb 001|0|eng|d
020			_a9780199347797 (ebook)
035			_a(StDuBDS)AH37530746
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245	0	4	_aThe philosophy of rhythm : _baesthetics, music, poetics / _cedited by Peter Cheyne, Andy Hamilton, and Max Paddison.
264		4	_c℗♭2019 _aNew York, NY : _bOxford University Press, _c[2019]
300			_axxi, 415 pages : _billustrations (black and white)
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
366			_b20200110
504			_aIncludes bibliographical references and index.
520	8		_aWith original essays by philosophers, psychologists, musicians, literary critics, and ethno-musicologists, 'The Philosophy of Rhythm' offers a broad perspective on rhythm - the fundamental pulse that animates music, dance, and poetry across all cultures. _bRhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience-particularly in sociology, cultural and media theory, and literary studies-has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.
530			_aAlso available in printed form ISBN 9780199347780
533			_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web.
650		0	_aMusical meter and rhythm.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aMusical perception.
650		7	_aMusic. _2ukslc
650		7	_aMusic _2thema
650		7	_aTheory of music & musicology _2thema
650		7	_aPhilosophy: aesthetics _2thema
650		7	_aPopular music _2thema
655		7	_2lcsh
700	1		_aCheyne, Peter, _eeditor.
700	1		_aHamilton, Andy, _d1957- _eeditor.
700	1		_aPaddison, Max, _eeditor.
856	4	0	_uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9780199347797 _z Click to view (3 copies)
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999			_c56497 _d56497