| 000 | 01808nam a22003618i 4500 | ||
|---|---|---|---|
| 001 | 709521 | ||
| 005 | 20210719183744.0 | ||
| 008 | 190110s2019 nyua f b 001|0|eng|d | ||
| 020 |
_a9780190868208 (pbk.) : _c£16.99 |
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| 035 | _a(StDuBDS)9780190868208 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aMUS _2eflch |
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| 072 | 7 |
_aMUS _2ukslc |
|
| 082 | 0 | 4 |
_a786.7'09'045 _223 |
| 100 | 1 |
_aIverson, Jennifer, _eauthor. |
|
| 245 | 1 | 0 |
_aElectronic inspirations : _btechnologies of the Cold War musical avant-garde / _cJennifer Iverson. |
| 264 | 1 |
_aNew York : _bOxford University Press, _c2019. |
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| 300 |
_a312 pages : _billustrations (black and white). |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aThe new cultural history of music | |
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aFor a decimated post-war West Germany, the electronic music studio at the WDR radio in Cologne was a beacon of hope. Collaborating with scientists and technicians, the studio's composers coaxed music from oscillators, generators, filters, and magnetic tape, reclaiming and repurposing military machines, spaces, and discourses into the new sounds of mid-century electronic music. Jennifer Iverson's 'Electronic Inspirations' traces the development of this music into a quintessential Cold War innovation - one that reverberated as much with anxiety as with the promise of a new age. | |
| 521 | _aSpecialized. | ||
| 610 | 2 | 0 |
_aWestdeutscher Rundfunk. _bStudio für Elektronische Musik. |
| 650 | 0 |
_aElectronic music _y20th century _xHistory and criticism. |
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| 650 | 7 |
_aMusic. _2eflch |
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| 650 | 7 |
_aMusic. _2ukslc |
|
| 830 | 0 | _aNew cultural history of music. | |
| 942 | _n0 | ||
| 999 |
_c56463 _d56463 |
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