000			02033nam a22003498i 4500
001			709520
005			20230419193404.0
008			190415s2019 enka f b 001|0|eng|d
020			_a9781138319363 (pbk.) : _c£40.99
035			_a(StDuBDS)9781138319363
040			_aStDuBDS _beng _cStDuBDS _erda
072		7	_aMUS _2eflch
072		7	_aMUS _2ukslc
082	0	4	_a786.7'4 _223
100	1		_aJenkins, Mark, _d1960- _eauthor.
245	1	0	_aAnalog synthesizers : _bunderstanding, performing, buying from the legacy of Moog to software synthesis / _cMark Jenkins.
250			_a2nd edition.
264		1	_aLondon : _bRoutledge, _c2019.
300			_a430 pages : _billustrations (black and white)
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
500			_aPrevious edition: Oxford: Focal, 2007.
504			_aIncludes bibliographical references and index.
520	8		_aMaking its first huge impact in the 1960's through the inventions of Bob Moog, the analog synthesizer sound, riding a wave of later developments in digital and software synthesis, has now become more popular than ever. Analog Synthesizers charts the technology, instruments, designers, and musicians associated with its three major historical phases: invention in the 1960s-1970s and the music of Walter Carlos, Pink Floyd, Gary Numan, Genesis, Kraftwerk, The Human League, Tangerine Dream, and Jean-Michel Jarre; re-birth in the 1980s-1990s through techno and dance music and jazz fusion; and software synthesis. Now updated, this new edition also includes sections on the explosion from 2000 to the present day in affordable, mass market Eurorack format and other analog instruments, which has helped make the analog synthesizer sound hugely popular once again particularly in the fields of TV and movie music.
521			_aSpecialized.
650		0	_aSynthesizer (Musical instrument)
650		7	_aMusic. _2eflch
650		7	_aMusic. _2ukslc
942			_n0
999			_c56462 _d56462