000			03099nam a2200373 i 4500
001			709180
005			20210719183623.0
008			190125t20192019cau b 001 0 eng c
010			_a2019003679
020			_a9780520303508 _q(cloth : alk. paper)
020			_a9780520303515 _q(pbk. : alk. paper)
020			_z9780520972735 (ebook)
035			_a(Uk)019637520
040			_aCU-S/DLC _beng _cCU-S _dUk _erda
042			_aukblderived
050	0	0	_aML3790 _bB7766 2019
082	0	0	_a338.4/778 _223
100	1		_aBruenger, David, _d1953- _eauthor.
245	1	0	_aCreate, produce, consume : _bnew models for understanding music business / _cDavid Bruenger.
264		1	_aOakland, California : _bUniversity of California Press, _c[2019]
264		4	_c©2019
300			_a414 pages ; _c24 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aInception : creation, production, reception Production : art, science, commerce Reception : listeners, fans, consumers Commodification : product, process, culture Monetization : publishing, recording, performing Location : scenes, venues, labels Diffusion : here, there, everywhere Disruption : pattern, deviation, adaptation Connection : artists, audiences, networks Incorporation : production, monetization, affiliation Aggregation : data, analytics, control Simulation : creation, production, consumption.
520			_a"Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical experience depends upon someone making and someone else listening to music. Performance can be technologically mediated so that performer and listener don't need to be in the same space at the same time. Or the performer and listener can be in the same room (or even be the same person). But for music to have wider impact, the minimum "equation" is one performer plus one listener equals a musical experience. How music moves from an idea--creation--to the ears of listeners--reception--is where the production structures of music enterprise come into play. All forms of music production provide access to musical experience, regardless of venue or technological medium. Access to music and musicians is what brings music commerce, community, and culture to life. Consequently, managing access and the complex relationship between artist and audience is the essential mission of every music enterprise, regardless of where or when or in what genre it happens"--Provided by publisher.
530			_aAlso published electronically.
650		0	_aMusic trade.
650		0	_aPopular music _xSocial aspects.
776	0	8	_iOnline version: _aBruenger, David, 1953- author. _tCreate, produce, consume _w(DLC) 2019007769 _dOakland, California : University of California Press, [2019] _z9780520972735
942			_n0
999			_c56241 _d56241