000 | 01556nam a22003858i 4500 | ||
---|---|---|---|
001 | 708554 | ||
005 | 20230419193344.0 | ||
008 | 130722s2013 enk f 001 0 eng d | ||
020 |
_a9780415834438 (hbk.) : _c£65.00 |
||
020 |
_a9780415834445 (pbk.) : _c£14.99 |
||
035 | _a(StDuBDS)9780415834438 | ||
040 |
_aStDuBDS _cStDuBDS _erda _dUkLoUWL |
||
072 | 7 |
_aLIT _2eflch |
|
072 | 7 |
_aLIT _2ukslc |
|
082 | 0 | 4 |
_a808'.036 _223 |
100 | 1 |
_aCobley, Paul, _d1963- _eauthor. |
|
245 | 1 | 0 |
_aNarrative / _cPaul Cobley. |
250 | _a2nd edition. | ||
264 | 1 |
_aLondon : _bRoutledge, _c2013. |
|
300 |
_a320 pages ; _c20 cm. |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
490 | 1 | _aThe new critical idiom | |
500 | _aPrevious edition: 2001. | ||
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aHuman beings have constantly told stories, presented events and placed the world into narrative form. This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations. Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to 're-present' time, space and identity. | |
521 | _aSpecialized. | ||
650 | 0 | _aNarration (Rhetoric) | |
650 | 0 |
_aFiction _xHistory and criticism. |
|
650 | 7 |
_aLiterature. _2eflch |
|
650 | 7 |
_aLiterature. _2ukslc |
|
830 | 0 | _aNew critical idiom. | |
942 | _n0 | ||
999 |
_c55812 _d55812 |