| 000 | 01498nam a22003258i 4500 | ||
|---|---|---|---|
| 001 | 708325 | ||
| 005 | 20210719183318.0 | ||
| 008 | 200320s2020 stka f 000|0|eng|d | ||
| 020 |
_a9781474456357 (hbk.) : _c£75.00 |
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| 035 | _a(StDuBDS)9781474456357 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aPER _2eflch |
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| 072 | 7 |
_aPER _2ukslc |
|
| 082 | 0 | 4 |
_a791.4'36164 _223 |
| 100 | 1 |
_aDaniel, Adam, _eauthor. |
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| 245 | 1 | 0 |
_aAffective intensities and evolving horror forms : _bfrom found footage to virtual reality / _cAdam Daniel. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c2020. |
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| 300 |
_a1 volume : _billustrations (black and white) ; _c24 cm |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 520 | 8 | _aHorror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage', to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aHorror films _xHistory and criticism. |
|
| 650 | 0 |
_aHorror television programs _xHistory and criticism. |
|
| 650 | 7 |
_aPerforming Arts. _2eflch |
|
| 650 | 7 |
_aPerforming Arts. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c55689 _d55689 |
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