000			02804nam a2200445 i 4500
001			705238
005			20230307192803.0
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007			cr||||||||||||
008			171130s2017 enka fs 000|0|eng|d
020			_a9781315776989 (ebook)
035			_a(StDuBDS)AH29281858
040			_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda _epn _dUkPrAHLS
072		7	_aMUS _2ukslc
072		7	_aAV _2bicssc
072		7	_aAV _2thema
245	0	0	_aLive-electronic music : _bcomposition, performance and study / _cedited by Friedemann Sallis, Valentina Bertolani, Jan Burle, Laura Zattra.
264		1	_aLondon : _bRoutledge, _c2017.
300			_a1 online resource : _billustrations (black and white).
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
366			_b20171120
490	1		_aRoutledge research in music
520	8		_aDuring the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer's role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
533			_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web.
588			_aDescription based on CIP data; item not viewed.
650		0	_aElectronic music _xHistory and criticism.
650		7	_aMusic. _2ukslc
650		7	_aMusic _2thema
655		7	_2lcsh
700	1		_aSallis, Friedemann, _eeditor.
700	1		_aBertolini, Valentina, _eeditor.
700	1		_aBurle, Jan, _eeditor.
700	1		_aZattra, Laura, _eeditor.
830		0	_aRoutledge research in music.
856	4	0	_uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9781315776989
942			_n0 _2ddc
999			_c53955 _d53955