000 | 01964nam a22003978i 4500 | ||
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001 | 702581 | ||
005 | 20210719181424.0 | ||
008 | 180703s2018 enk f 000|0|eng|d | ||
020 |
_a9780571334278 (hbk.) : _c£30.00 |
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035 | _a(StDuBDS)9780571334278 | ||
040 |
_aStDuBDS _beng _cStDuBDS _erda |
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041 | 1 |
_aeng _hfre |
|
072 | 7 |
_aMUS _2eflch |
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072 | 7 |
_aMUS _2ukslc |
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082 | 0 | 4 |
_a780.9'2 _223 |
100 | 1 |
_aBoulez, Pierre, _d1925-2016, _eauthor. |
|
240 | 1 | 0 |
_aWorks. _kSelections. _lEnglish |
245 | 1 | 0 |
_aMusic lessons : _bthe Collège de France lectures / _cPierre Boulez ; translated by Jonathan Goldman, Jonathan Dunsby, Arnold Whittall. |
264 | 1 |
_aLondon : _bFaber & Faber, _c2018. |
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300 |
_a496 pages ; _c24 cm |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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500 | _aTranslated from the French. | ||
520 | 8 | _aPierre Boulez was appointed to the Collège de France in 1976, with the chair devoted to 'Invention, technique and language in Music', and he held his position until 1995. The publication of his extraordinary Collège de France lectures, his most significant writings from the 1970s to the 1990s, will make a major contribution to the discussion in English about Boulez's aesthetic legacy. His goal in Leçons de musique is to express his conception of musical language, laid out over the course of nearly twenty years of lecturing. He is thinking about the possible paths musical thought could take, as well as the musical legacy of the past. | |
521 | _aSpecialized. | ||
600 | 1 | 0 |
_aBoulez, Pierre, _d1925-2016. |
600 | 1 | 0 |
_aBoulez, Pierre, _d1925-2016 _vTranslations into English. |
650 | 0 |
_aMusic _y20th century _xHistory and criticism. |
|
650 | 7 |
_aMusic. _2eflch |
|
650 | 7 |
_aMusic. _2ukslc |
|
700 | 1 |
_aGoldman, Jonathan, _d1972- _etranslator. |
|
700 | 1 |
_aDunsby, Jonathan, _etranslator. |
|
700 | 1 |
_aWhittall, Arnold, _etranslator. |
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942 | _n0 | ||
999 |
_c52295 _d52295 |