000 | 01834nam a22003618i 4500 | ||
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001 | 702222 | ||
005 | 20210719181231.0 | ||
008 | 180104s2018 enka f 000|0|eng|d | ||
020 |
_a9783319706283 (hbk.) : _c£80.00 |
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020 |
_z9783319706290 (PDF ebook) : _c£80.00 |
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035 | _a(StDuBDS)9783319706283 | ||
040 |
_aStDuBDS _beng _cStDuBDS _erda |
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072 | 7 |
_aPER _2eflch |
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072 | 7 |
_aPER _2ukslc |
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082 | 0 | 4 |
_a791.4'36164 _223 |
100 | 1 |
_aBrown, Steven T., _eauthor. |
|
245 | 1 | 0 |
_aJapanese horror and the transnational cinema of sensations / _cSteven T. Brown. |
264 | 1 |
_aBasingstoke, Hampshire : _bPalgrave Macmillan, _c2018. |
|
300 |
_a332 pages : _billustrations (black and white, and colour) ; _c21 cm. |
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336 |
_atext _2rdacontent |
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336 |
_astill image _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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490 | 1 | _aEast Asian popular culture | |
520 | 8 | _aThis volume undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations. | |
521 | _aSpecialized. | ||
650 | 0 |
_aHorror films _zJapan _xHistory and criticism. |
|
650 | 0 |
_aHorror films _xHistory and criticism. |
|
650 | 7 |
_aPerforming Arts. _2eflch |
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650 | 7 |
_aPerforming Arts. _2ukslc |
|
830 | 0 | _aEast Asian popular culture. | |
942 | _n0 | ||
999 |
_c51981 _d51981 |