| 000 | 01576nam a22003018i 4500 | ||
|---|---|---|---|
| 001 | 702203 | ||
| 005 | 20210719181226.0 | ||
| 008 | 151210s2016 nyu f 000|0|eng|d | ||
| 020 |
_a9781138910515 (pbk.) : _c£25.99 |
||
| 035 | _a(StDuBDS)9781138910515 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
||
| 072 | 7 |
_aPER _2eflch |
|
| 072 | 7 |
_aPER _2ukslc |
|
| 082 | 0 | 4 |
_a791.4'3'0232 _223 |
| 100 | 1 |
_aCook, Bryan, _d1976- _eauthor. |
|
| 245 | 1 | 4 |
_aThe art of short form content : _bfrom concept to color correction / _cBryan Cook. |
| 264 | 1 |
_aNew York : _bFocal Press, _c2016. |
|
| 300 | _a190 pages | ||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 520 | 8 | _a'The Art of Short Form Content' is an in-depth examination of the craft of creating short form filmic content - a category which includes television commercials, music videos, television promos, movie trailers, digital billboards, corporate videos, and pretty much anything else with a running time under five minutes. Though short form is an important part of the film industry, it is typically overlooked in books on the art of filmmaking. This book fills this industry void by answering the type of questions that working short form content creators deal with every day. As Cook explains, though short form content is limited in duration, it is not limited in quality and message. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aShort films _xProduction and direction. |
|
| 650 | 7 |
_aPerforming Arts. _2eflch |
|
| 650 | 7 |
_aPerforming Arts. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c51962 _d51962 |
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