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001 | 700305 | ||
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008 | 170106t20172017enk fsb 001|0|eng|d | ||
020 | _a9781137573759 (ebook) | ||
035 | _a(StDuBDS)AH33014462 | ||
040 |
_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda _dUkPrAHLS |
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072 | 7 |
_aMUS _2ukslc |
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072 | 7 |
_aAV _2bicssc |
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_aAPF _2bicssc |
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072 | 7 |
_aAPFA _2bicssc |
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072 | 7 |
_aAVG _2bicssc |
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072 | 7 |
_aAV _2thema |
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245 | 0 | 0 |
_aContemporary film music : _binvestigating cinema narratives and composition / _cLindsay Coleman, Joakim Tillman, editors. |
264 | 1 |
_aLondon : _bPalgrave Macmillan, _c[2017] |
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264 | 4 | _c℗♭2017 | |
300 |
_axvi, 272 pages : _bmusic |
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336 |
_atext _2rdacontent |
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336 |
_anotated music _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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366 | _b20170609 | ||
504 | _aIncludes bibliographical references and index. | ||
520 | 8 |
_aTo that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer's approach or style. _bThe purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer's approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer's output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer's musical voice. |
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530 | _aAlso available in printed form ISBN 9781137573742 | ||
533 |
_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web. |
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650 | 0 |
_aMotion picture music _xHistory and criticism. |
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650 | 7 |
_aMusic. _2ukslc |
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650 | 7 |
_aMusic _2thema |
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650 | 7 |
_aFilms, cinema _2thema |
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650 | 7 |
_aFilm history, theory & criticism _2thema |
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650 | 7 |
_aMusic: styles & genres _2thema |
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655 | 7 | _2lcsh | |
700 | 1 |
_aColeman, Lindsay, _d1978- _eeditor. |
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700 | 1 |
_aTillman, Joakim, _eeditor. |
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856 | 4 | 0 | _uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9781137573759 |
942 |
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999 |
_c50623 _d50623 |