| 000 | 01803nam a22003858i 4500 | ||
|---|---|---|---|
| 001 | 699130 | ||
| 005 | 20210719180448.0 | ||
| 008 | 170804s2017 enka f 000|0|eng|d | ||
| 020 |
_a9781474284714 (hbk.) : _c£75.00 |
||
| 035 | _a(StDuBDS)9781474284714 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
||
| 072 | 7 |
_aPSY _2eflch |
|
| 072 | 7 |
_aPSY _2ukslc |
|
| 082 | 0 | 4 |
_a153.1'2 _223 |
| 245 | 0 | 0 |
_aPerforming the remembered present : _bthe cognition of memory in dance, theatre and music / _cedited by Pil Hansen, Bettina Blasing. |
| 264 | 1 |
_aLondon : _bBloomsbury Methuen Drama, _c2017. |
|
| 300 |
_a272 pages : _billustrations (black and white) ; _c22 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 336 |
_astill image _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 490 | 1 | _aPerformance and science | |
| 520 | 8 | _aThis international collection brings together scientists, scholars, and artist-researchers from four continents to explore the cognition of memory through the performing arts and examine artistic strategies that target cognitive processes of memory and learning. The strongly embodied and highly trained memory systems of performing artists render artistic practice a rich context for understanding how memory is formed, utilized, and adapted through interaction with others and active engagement with tasks, instruments and environments. | |
| 521 | _aSpecialized. | ||
| 650 | 0 | _aMemory. | |
| 650 | 0 |
_aMemory _xPhysiological aspects. |
|
| 650 | 0 |
_aDance _xPsychological aspects. |
|
| 650 | 0 |
_aActing _xPsychological aspects. |
|
| 650 | 7 |
_aPsychology. _2eflch |
|
| 650 | 7 |
_aPsychology. _2ukslc |
|
| 700 | 1 |
_aHansen, Pil, _d1974- _eeditor. |
|
| 700 | 1 |
_aBläsing, Bettina, _d1970- _eeditor. |
|
| 830 | 0 | _aPerformance and science. | |
| 942 | _n0 | ||
| 999 |
_c50080 _d50080 |
||