000			01796nam a2200373 i 4500
001			697943
005			20210719180055.0
008			170302s2017 gw g 000 0 eng
010			_a2017010192
020			_a9783631720486 _qhardback
035			_a(DLC) 2017010192
040			_aDLC _beng _erda _cDLC _dDLC
041	1		_aeng _hger
042			_apcc
050	0	0	_aML196 _b.F5913 2017
082	0	0	_a780.9/034 _223
100	1		_aFloros, Constantin, _eauthor.
240	1	0	_aHören und verstehen. _lEnglish
245	1	0	_aListening and understanding : _bthe language of music and how to interpret it / _cConstantin Floros ; translated by Ernest Bernhardt-Kabisch.
264		1	_aFrankfurt am Main ; _aNew York : _bPeter Lang, _c2017.
264		4	_c©2017
300			_a253 pages : _bmusic ; _c22 cm
336			_atext _btxt _2rdacontent
336			_anotated music _bntm _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 229-242) and index.
505	0		_aListening not merely an "inner vision" Prerequisites for active listening Historical aspects Dimensions of the musical Ravel's Bolâero and Messiaen's Chronochromie "My language is understood all over the world" the linguistic aspect of music Stirring and calming music Emotional listening Exemplary analyses Psychological categories Symphony Chamber music Opera and music drama Program music Ballet music Impressionist music Spatial listening Sacred music Epilogue: on silence an essay in cultural criticism.
650		0	_aMusic _y19th century _xHistory and criticism.
650		0	_aMusic _y20th century _xHistory and criticism.
650		0	_aMusic appreciation.
700	1		_aBernhardt-Kabisch, Ernest, _d1934- _etranslator.
942			_n0
999			_c49428 _d49428