| 000 | 01614nam a22003138i 4500 | ||
|---|---|---|---|
| 001 | 697010 | ||
| 005 | 20210719175809.0 | ||
| 008 | 170713s2017 enka 000|0|eng|d | ||
| 020 |
_a9781137443090 (pbk.) : _c£6.99 |
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| 035 | _a(StDuBDS)9781137443090 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aPER _2eflch |
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| 072 | 7 |
_aPER _2ukslc |
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| 082 | 0 | 4 |
_a792 _223 |
| 100 | 1 |
_aShalson, Lara, _eauthor. |
|
| 245 | 1 | 0 |
_aTheatre & protest / _cLara Shalson. |
| 264 | 1 |
_aBasingstoke, Hampshire : _bPalgrave Macmillan, _c2017. |
|
| 300 |
_a89 pages : _billustrations (black and white) ; _c18 cm |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 520 | 8 | _aHow does protest engage with theatre? What does theatre have to gain from protest? Theatre and protest are often closely interlinked in the contemporary cultural and political landscape, and the line between protest and performance can be difficult to draw. Yet this relationship is also beset with doubts about theatre's capacity to intervene in the social world. This fresh and insightful text thinks through the intersections and tensions between theatre and protest. Exploring the cross-fertilization of international theatre and protest across the twentieth and twenty-first centuries, Lara Shalson illuminates how and why these two are mutually influencing and enriching forms. | |
| 650 | 0 |
_aTheater _xPolitical aspects. |
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| 650 | 0 | _aTheater and state. | |
| 650 | 7 |
_aPerforming Arts. _2eflch |
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| 650 | 7 |
_aPerforming Arts. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c48952 _d48952 |
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