000 | 03764nam a2200697 i 4500 | ||
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001 | 696913 | ||
005 | 20230210204102.0 | ||
007 | cr|||||||||||| | ||
008 | 110120s2011 enka sb 001 0 eng d | ||
020 | _a9781315084817 (ebook) | ||
035 | _a(StDuBDS)AH32941823 | ||
040 |
_aStDuBDS _beng _cStDuBDS _dUk _dStDuBDSZ _dUkPrAHLS |
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100 | 1 |
_aSmith, Helen, _d1975- |
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245 | 1 | 0 |
_aThere's a place for us : _bthe musical theatre works of Leonard Bernstein / _cHelen Smith. |
264 | 1 |
_aFarnham : _bAshgate, _c2011. |
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300 |
_axviii, 300 p. : _bill. |
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336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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366 | _b20110916 | ||
500 |
_aFormerly CIP. _5Uk |
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504 | _aIncludes bibliographical references (p. [277]-292) and indexes. | ||
520 | 8 |
_aHere, Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early 'On the Town' written by the 26-year-old composer at the start of his career, to his second and last opera 'A Quiet Place' in 1983. _bLeonard Bernstein was the quintessential American musician. Through his careers as conductor, pianist, teacher and television personality he became known across the US and the world, his flamboyance and theatricality making him a favourite with audiences, if not with critics. However, he is perhaps best remembered as a composer, particularly of the musical West Side Story, and for songs such as 'America', 'Tonight' and 'Somewhere'. Dr Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early On the Town written by the 26-year-old composer at the start of his career, to his second and last opera A Quiet Place in 1983; in between these two pieces he composed music for Trouble in Tahiti, Wonderful Town, Candide, West Side Story, Mass and 1600 Pennsylvania Avenue. These works are analysed and considered against a background of musical and social context, as well as looking at Bernstein's other orchestral, choral and chamber works. One important aspect examined is Bernstein's use of motifs in his theatre compositions, which takes them out of the realms of Broadway and into the sphere of symphonic writing. Smith provides an indispensable overview of the musical theatre works of an eclectic composer, and shows what it is that constitutes the Bernstein 'sound'. |
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530 | _aAlso available in printed form ISBN 9781409411697 | ||
533 |
_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web. |
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600 | 1 | 0 |
_aBernstein, Leonard, _d1918-1990. _tMusicals. |
600 | 1 | 0 |
_aBernstein, Leonard, _d1918-1990. _tOperas. |
650 | 7 |
_aMusic _2ukslc |
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650 | 7 |
_aMusic _2thema |
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650 | 7 |
_aArt music, orchestral & formal music _2thema |
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650 | 7 |
_aMusic of film & stage _2thema |
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650 | 7 |
_aThe Americas _2thema |
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650 | 7 |
_aTheatre studies _2thema |
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650 | 7 |
_aTheory of music & musicology _2thema |
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_aOpera _2thema |
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650 | 7 |
_aMusicians, singers, bands & groups _2thema |
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650 | 7 |
_aPopular music _2thema |
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650 | 7 |
_aComposers & songwriters _2thema |
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655 | 7 | _2lcsh | |
856 | 4 | 0 | _uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9781315084817 |
942 |
_n0 _2ddc |
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999 |
_c48880 _d48880 |