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| 008 | 160727s2016 enk fs 000|0|eng|d | ||
| 020 | _a9781315770567 (ebook) | ||
| 035 | _a(StDuBDS)AH29997670 | ||
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_aMUS _2ukslc |
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_aAV _2thema |
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| 245 | 0 | 4 |
_aThe Routledge companion to sounding art / _cedited by Marcel Cobussen, Vincent Meelberg, Barry Truax. |
| 246 | 3 | 0 | _aCompanion to sounding art |
| 264 | 1 |
_aLondon : _bRoutledge, _c2016. |
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| 300 | _a1 online resource (482 pages) | ||
| 336 |
_atext _2rdacontent |
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| 337 |
_acomputer _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 366 | _b20160715 | ||
| 520 | 8 | _aThe Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources. The collection is organized around six main themes: Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities. Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound. Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening. Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound. Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography. Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed. With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art. | |
| 533 |
_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web. |
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| 588 | _aDescription based on CIP data; item not viewed. | ||
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
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| 650 | 0 | _aSound (Philosophy) | |
| 650 | 0 | _aAvant-garde (Music) | |
| 650 | 0 |
_aSound _xPsychological aspects. |
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| 650 | 7 |
_aMusic. _2ukslc |
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| 650 | 7 |
_aMusic _2thema |
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| 655 | 7 | _2lcsh | |
| 700 | 1 |
_aCobussen, Marcel, _d1962- _eeditor. |
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| 700 | 1 |
_aMeelberg, Vincent, _d1970- _eeditor. |
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| 700 | 1 |
_aTruax, Barry, _eeditor. |
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| 776 | 0 | 8 |
_iPrint version : _z9781138780613 |
| 856 | 4 | 0 |
_uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9781315770567 _zClick here, 1 copy |
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