| 000 | 01624nam a2200373 i 4500 | ||
|---|---|---|---|
| 001 | 691606 | ||
| 005 | 20210719173619.0 | ||
| 008 | 160705s2016 nyua f b 001|0|eng|d | ||
| 020 |
_a9781501308123 (pbk.) : _c£19.99 |
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| 020 |
_z9781501308109 (ePub ebook) : _cNo price |
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| 020 |
_z9781501308093 (PDF ebook) : _cNo price |
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| 035 | _a(StDuBDS)9781501308123 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aART _2eflch |
|
| 072 | 7 |
_aART _2ukslc |
|
| 082 | 0 | 4 |
_a700.1'08 _223 |
| 100 | 1 |
_aBarrett, G. Douglas, _eauthor. |
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| 245 | 1 | 0 |
_aAfter sound : _btoward a critical music / _cG. Douglas Barrett. |
| 264 | 1 |
_aNew York : _bBloomsbury Academic, _c2016. |
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| 300 |
_a243 pages : _billustrations (black and white) ; _c23 cm |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aThis volume considers contemporary art practices that reconceive music beyond the limitation of sound. The book is called 'After Sound' because music and sound are, in Barrett's account, different entities. While musicology and sound art theory alike typically equate music with pure instrumental sound, or absolute music, Barrett posits music as an expanded field of artistic practice encompassing a range of different media and symbolic relationships. | |
| 521 | _aSpecialized. | ||
| 650 | 0 | _aSound in art. | |
| 650 | 0 | _aSilence in art. | |
| 650 | 0 | _aArt and music. | |
| 650 | 7 |
_aArt and Design. _2eflch |
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| 650 | 7 |
_aArt and Design. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c44969 _d44969 |
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