000 | 01433nam a22003138i 4500 | ||
---|---|---|---|
001 | 691144 | ||
005 | 20210719173420.0 | ||
008 | 161121s2016 enk 000|0|eng|d | ||
020 |
_a9781138122949 (pbk.) : _c£29.99 |
||
035 | _a(StDuBDS)9781138122949 | ||
040 |
_aStDuBDS _beng _cStDuBDS _erda |
||
072 | 7 |
_aMUS _2eflch |
|
072 | 7 |
_aMUS _2ukslc |
|
082 | 0 | 4 |
_a788.7'165'092 _223 |
100 | 1 |
_aRush, Stephen, _d1958- _eauthor. |
|
245 | 1 | 0 |
_aFree jazz, Harmolodics, and Ornette Coleman / _cStephen Rush. |
264 | 1 |
_aLondon : _bRoutledge, _c2016. |
|
300 | _a302 pages | ||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
||
520 | 8 | _a'Free Jazz, Harmolodics, and Ornette Coleman' discusses Ornette Coleman's musical philosophy of 'Harmolodics', an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of 'free jazz', Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman's position as the developer of a logical - and historically significant - system of jazz improvisation. | |
600 | 1 | 0 |
_aColeman, Ornette _xCriticism and interpretation. |
650 | 0 |
_aFree jazz _xAnalysis, appreciation. |
|
650 | 0 | _aImprovisation (Music) | |
650 | 7 |
_aMusic. _2eflch |
|
650 | 7 |
_aMusic. _2ukslc |
|
942 | _n0 | ||
999 |
_c44617 _d44617 |