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008 940221r19931992enk |s 001 ||eng d
020 _a9780195358995 (ebook)
035 _a(StDuBDS)AH24084209
040 _aUk
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100 1 _aRosenthal, David H.,
_d1945-
245 1 0 _aHard bop :
_bjazz and Black music 1955-1965 /
_cDavid H. Rosenthal.
260 _aNew York ;
_aOxford :
_bOxford University Press,
_c1993.
300 _axi,208p.
366 _b19940224
500 _aIncludes index.
520 8 _aDevoted to the history of this jazz movement, the study combines a narrative of the evolution of hard bop - from its beginnings as an amalgam of bebop and rhythm and blues to its experimental breakthroughs in the 1960s - with close analyses of the musicians' styles and recordings.
_bHard bop was a brand of post bebop jazz that enveloped many of the most talented American musicians in the period between 1955 and 1956. These were years unrivalled in jazz history for the number of musically brilliant records issued - including Art Blakey's Ugetsu, Miles Davis's Kind of Blue, Thelonius Monk's Brilliant Corners, and Sonny Rollins's Saxophone Colossus. This is the first book devoted entirely to hard bop, combining a narrative of the movement's evolution, from its beginnings as an amalgam of bebop and R&B to its experimental breakthroughs in the 1960s. With close analyses of musicians' styles and recordings, as well as specific tendencies within the school, such as `soul jazz', it offers a much needed examination of the artists, milieus, and above all the sounds of one of America's greatest musical epochs.
530 _aAlso available in printed form ISBN 9780195085563
533 _aElectronic reproduction.
_cAskews and Holts.
_nMode of access: World Wide Web.
650 7 _aMusic
_2ukslc
650 7 _aPopular music
_2thema
650 7 _aPopular music
_2thema
650 7 _aUnited States of America, USA
_2thema
650 7 _ac 1950 to c 1959
_2thema
650 7 _ac 1960 to c 1969
_2thema
650 7 _aJazz
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655 7 _2lcsh
856 4 0 _uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9780195358995
942 _n0
_2ddc
999 _c44573
_d44573