| 000 | 01458nam a22003258i 4500 | ||
|---|---|---|---|
| 001 | 690840 | ||
| 005 | 20210719173301.0 | ||
| 008 | 130327s2013 nju f 001 0 eng|d | ||
| 020 |
_a9780691150888 (hbk.) : _c£24.95 |
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| 035 | _a(StDuBDS)9780691150888 | ||
| 040 |
_aStDuBDS _cStDuBDS _erda |
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| 072 | 7 |
_aMUS _2eflch |
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| 072 | 7 |
_aMUS _2ukslc |
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| 082 | 0 | 4 |
_a781.6'5'09 _223 |
| 100 | 1 |
_aPhillips, Damon J., _eauthor. |
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| 245 | 1 | 0 |
_aShaping jazz : _bcities, labels, and the global emergence of an art form / _cDamon Phillips. |
| 264 | 1 |
_aPrinceton, New Jersey : _bPrinceton University Press, _c2013. |
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| 300 |
_a272 pages ; _c25 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aThere are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs - and not others - get rerecorded by many musicians? 'Shaping Jazz' answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets - in particular, organisations and geography - in the development of early 20th-century jazz. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aJazz _xHistory and criticism. |
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| 650 | 0 |
_aJazz _xSocial aspects. |
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| 650 | 7 |
_aMusic. _2eflch |
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| 650 | 7 |
_aMusic. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c44398 _d44398 |
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