000			02174nam a22004098i 4500
001			690808
005			20210719173252.0
008			151112s2016 enka f b 001|0|eng|d
020			_a9781472460219 (hbk.) : _c£95.00
020			_z9781472460233 (ePub ebook) : _c£95.00
020			_z9781472460226 (PDF ebook) : _c£95.00
020			_z9781317091264 (ePub ebook) : _c£95.00
020			_z9781317091271 (PDF ebook) : _c£95.00
020			_z9781317091257 (Mobipocket ebook) : _c£95.00
035			_a(StDuBDS)9781472460219
040			_aStDuBDS _beng _cStDuBDS _erda
072		7	_aMUS _2eflch
072		7	_aMUS _2ukslc
082	0	4	_a781.1 _223
245	0	0	_aMusic's immanent future : _bthe Deleuzian turn in music studies / _cedited by Sally Macarthur, Judy Lochhead and Jennifer Shaw.
264		1	_aFarnham, Surrey : _bAshgate, _c2016.
300			_a244 pages : _billustrations (black and white) ; _c24 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
520	8		_aThe conversations generated by the chapters in this book grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds.
521			_aSpecialized.
650		0	_aMusic _xPhilosophy and aesthetics.
650		7	_aMusic. _2eflch
650		7	_aMusic. _2ukslc
700	1		_aMacarthur, Sally, _eeditor.
700	1		_aLochhead, Judith Irene, _eeditor.
700	1		_aShaw, Jennifer Robin, _eeditor.
942			_n0
999			_c44376 _d44376