000 | 01970nam a22003498i 4500 | ||
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001 | 690601 | ||
005 | 20210719173202.0 | ||
008 | 160801s2016 enka f 000|0|eng|d | ||
020 |
_a9781472456939 (hbk.) : _c£100.00 |
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035 | _a(StDuBDS)9781472456939 | ||
040 |
_aStDuBDS _beng _cStDuBDS _erda |
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072 | 7 |
_aMUS _2eflch |
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072 | 7 |
_aMUS _2ukslc |
|
082 | 0 | 4 |
_a780.7'8'019 _223 |
245 | 0 | 0 |
_aMusicians and their audiences : _bperformance, speech and mediation / _cedited by Ioannis Tsioulakis, Elina Hytönen-Ng. |
264 | 1 |
_aLondon : _bRoutledge, _c2016. |
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300 |
_a256 pages : _billustrations (black and white) ; _c24 cm |
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336 |
_atext _2rdacontent |
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336 |
_astill image _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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520 | 8 | _aHow do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents an examination of the turbulent relationship between musicians and audiences. Key contributions of this book are its global focus and its interdisciplinary nature. Focusing on areas as diverse as Ireland, Greece, India, Malta, the US and Iran, the contributors bring musicological, sociological, psychological and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processable nature: from conceptualisation to performance, and through mediation to off-stage discourses. | |
521 | _aSpecialized. | ||
650 | 0 |
_aMusic _xPerformance _xPsychological aspects. |
|
650 | 0 |
_aMusicians _xPsychology. |
|
650 | 0 |
_aMusic audiences _xPsychological aspects. |
|
650 | 7 |
_aMusic. _2eflch |
|
650 | 7 |
_aMusic. _2ukslc |
|
700 | 1 |
_aTsioulakis, Ioannis, _eeditor. |
|
700 | 1 |
_aHytönen-Ng, Elina, _eeditor. |
|
942 | _n0 | ||
999 |
_c44251 _d44251 |