000			01647nam a22003378i 4500
001			689888
005			20210719172930.0
008			161017r20162013enka f b 001|0|eng|d
020			_a9781316632178 (pbk.) : _c£20.99
035			_a(StDuBDS)9781316632178
040			_aStDuBDS _beng _cStDuBDS _erda _dUkLoUWL
072		7	_aMUS _2eflch
072		7	_aMUS _2ukslc
082	0	4	_a780.9'2 _223
100	1		_aGriffiths, Graham, _d1954- _eauthor.
245	1	0	_aStravinsky's piano : _bgenesis of a musical language / _cGraham Griffiths.
264		1	_aCambridge : _bCambridge University Press, _c2016.
300			_a353 pages : _billustrations (black and white) ; _c25 cm.
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	1		_aMusic since 1900
500			_aOriginally published: 2013.
504			_aIncludes bibliographical references and index.
520	8		_aGraham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano. Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano.
521			_aSpecialized.
600	1	0	_aStravinsky, Igor, _d1882-1971 _xCriticism and interpretation.
830		0	_aMusic since 1900.
942			_n0
999			_c43835 _d43835