000 | 01303nam a22002778a 4500 | ||
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001 | 689743 | ||
005 | 20210719172858.0 | ||
008 | 090629s2010 inua f 001 0 eng d | ||
020 |
_a9780253354143 (hbk.) : _c£54.00 |
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020 |
_a0253354145 (hbk.) : _c£54.00 |
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_a9780253221520 (pbk.) : _c£18.99 |
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_a0253221528 (pbk.) : _c£18.99 |
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_aStDuBDS _cStDuBDS |
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082 | 0 | 4 |
_a782.1'4'0973 _222 |
100 | 1 | _aDash, Irene G. | |
245 | 1 | 0 |
_aShakespeare and the American musical / _cIrene G. Dash. |
260 |
_aBloomington, Ind. : _bIndiana University Press ; _aChesham : _bCombined Academic [distributor], _c2010. |
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300 |
_a208 p. : _bill. ; _c24 cm. |
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504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aIrene G. Dash explores the influence of Shakespeare on American musical theatre, through analyses of five seminal productions from 1938 through 1971: The Boys from Syracuse; Kiss me, Kate; West Side Story; Your Own Thing; & Two Gentlemen of Verona. She shows how these productions contributed to the growing sophistication of musical comedy. | |
521 | _aSpecialized. | ||
600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xInfluence. |
650 | 0 |
_aMusicals _zUnited States _y20th century _xHistory and criticism. |
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942 | _n0 | ||
999 |
_c43750 _d43750 |