| 000 | 01672nam a22003378i 4500 | ||
|---|---|---|---|
| 001 | 689216 | ||
| 005 | 20210719172729.0 | ||
| 008 | 160819s2016 enka f 000|0|eng|d | ||
| 020 |
_a9781472584366 (pbk.) : _c£17.99 |
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| 035 | _a(StDuBDS)9781472584366 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda _dUkLoUWL |
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| 072 | 7 |
_aMUS _2eflch |
|
| 072 | 7 |
_aMUS _2ukslc |
|
| 082 | 0 | 4 |
_a782.1'4'094109045 _223 |
| 100 | 1 |
_aGordon, Robert, _eauthor. |
|
| 245 | 1 | 0 |
_aBritish musical theatre since 1950 / _cRobert Gordon, Olaf Jubin, Millie Taylor. |
| 264 | 1 |
_aLondon : _bBloomsbury Methuen Drama, _c2016. |
|
| 300 |
_a288 pages : _billustrations (black and white). |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aCritical companions | |
| 520 | 8 | _aThis critical introduction to British musical theatre since 1950 discusses its post-war developments from the perspective of British - as opposed to American - popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the 70s. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aMusical theater _zGreat Britain _xHistory _y20th century. |
|
| 700 | 1 |
_aJubin, Olaf, _eauthor. |
|
| 700 | 1 |
_aTaylor, Millie, _eauthor. |
|
| 830 | 0 | _aCritical companions. | |
| 942 | _n0 | ||
| 999 |
_c43490 _d43490 |
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