| 000 | 01518nam a22003498i 4500 | ||
|---|---|---|---|
| 001 | 687118 | ||
| 005 | 20210719171945.0 | ||
| 008 | 160224s2016 sz a f 000|0|eng|d | ||
| 020 |
_a9783037643884 (pbk.) : _c£16.00 |
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| 035 | _a(StDuBDS)9783037643884 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda _dUkLoUWL |
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| 072 | 7 |
_aPER _2eflch |
|
| 072 | 7 |
_aPER _2ukslc |
|
| 082 | 0 | 4 |
_a791.4'3'074 _223 |
| 245 | 0 | 0 |
_aExhibiting the moving image / _cedited by François Bovier and Adeena Mey. |
| 264 | 1 |
_aZurich : _bJRP/Ringier, _c2015. |
|
| 300 |
_a158 pages : _billustrations (black and white) ; _c21 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aDocuments | |
| 520 | 8 | _aThis collection of new essays investigates the relationships between the white cube and the black box, focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces.The authors analyze multiple modalities of presenting the moving image through historical case studies - the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aMotion pictures _xExhibitions. |
|
| 650 | 0 |
_aPromotional films _xExhibitions. |
|
| 650 | 0 |
_aVideo art _xExhibitions. |
|
| 700 | 1 |
_aBovier, François, _eeditor. |
|
| 700 | 1 |
_aMey, Adeena, _eeditor. |
|
| 830 | 0 | _aDocuments. | |
| 942 | _n0 | ||
| 999 |
_c41994 _d41994 |
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