000			01929nam a22003254a 4500
001			685731
005			20210719171435.0
008			110906s2012 miua b 001 0 eng
010			_a2011037284
020			_a9780472071654 (cloth : alk. paper)
020			_a0472071653 (cloth : alk. paper)
020			_a9780472051656 (pbk. : alk. paper)
020			_a0472051652 (pbk. : alk. paper)
020			_a9780472028115 (e-book)
020			_a0472028111 (e-book)
035			_a(DLC) 2011037284
035			_a(OCoLC)ocn751250773
040			_aDLC _beng _cDLC _dYDX _dBTCTA _dXIM _dBDX _dYDXCP _dE7B _dBWX _dCDX _dOCLCQ _dITD _dYUS _dDLC
042			_apcc
050	0	0	_aML1100 _b.R34 2012
082	0	0	_a785.009 _223
100	1		_aRadice, Mark A.
245	1	0	_aChamber music : _ban essential history / _cMark A. Radice.
260			_aAnn Arbor : _bUniversity of Michigan Press, _cc2012.
300			_a375 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references and index.
505	0		_aThe nature of early chamber music The crystallization of genres during the golden age of chamber music Classical chamber music with wind instruments The chamber music of Beethoven The emergence of the wind quintet Schubert and musical aesthetics of the early Romantic era Prince Louis Ferdinand and Louis Spohr Champions of tradition: Mendelssohn, Schumann,and Brahms Nationalism in French chamber music of the late Romantic era: Franck, Debussy, Saint-Saëns, Fauré, and Ravel National schools from the time of Smetana to the mid-twentieth century Nationalism and tradition: Schoenberg and the Austro-German avant-garde The continuation of tonality in the twentieth century Strictly confidential: the chamber music of Dmitri Shostakovich Two fugitives from the Soviet Bloc: György Ligeti and Karel Husa Benchmarks: chamber music masterpieces since circa 1920.
650		0	_aChamber music _xHistory and criticism.
942			_n0
999			_c41014 _d41014