| 000 | 01521nam a22003258i 4500 | ||
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| 001 | 684380 | ||
| 005 | 20230418192843.0 | ||
| 008 | 150319s2015 gw f 000|0|eng|d | ||
| 020 |
_a9783433031179 (pbk.) : _c£18.99 |
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| 035 | _a(StDuBDS)9783433031179 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda _dUkLoUWL |
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| 072 | 7 |
_aART _2eflch |
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| 072 | 7 |
_aART _2ukslc |
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| 082 | 0 | 4 |
_a745.2'0904 _223 |
| 100 | 1 |
_aAicher, Otl, _eauthor. |
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| 245 | 1 | 4 |
_aThe world as design / _cOtl Aicher ; with an introduction by Wolfgang Jean Stock |
| 250 | _a2nd edition. | ||
| 264 | 1 |
_aBerlin : _bErnst & Sohn, _c2015. |
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| 300 |
_a192 pages ; _c22 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 520 | 8 | _aOtl Aicher (1922-1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule fur Gestaltung (HfG), the Ulm School of Design, Germany. This volume contains his polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the cultural Sunday. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aDesign _xHistory _y20th century. |
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| 650 | 0 |
_aIndustrial design _xHistory _y20th century. |
|
| 650 | 7 |
_aArt and Design. _2eflch |
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| 650 | 7 |
_aArt and Design. _2ukslc |
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| 942 | _n0 | ||
| 999 |
_c40108 _d40108 |
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