| 000 | 01425nam a22003738i 4500 | ||
|---|---|---|---|
| 001 | 684023 | ||
| 005 | 20230418192832.0 | ||
| 008 | 150205s2015 enka f 001|0|eng|d | ||
| 020 |
_a9781138824300 (pbk.) : _c£29.99 |
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| 035 | _a(StDuBDS)9781138824300 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda _dUkLoUWL |
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| 072 | 7 |
_aPER _2eflch |
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| 072 | 7 |
_aPER _2ukslc |
|
| 082 | 0 | 4 |
_a791.4'3'01 _223 |
| 100 | 1 |
_aElsaesser, Thomas, _d1943- _eauthor. |
|
| 245 | 1 | 0 |
_aFilm theory : _ban introduction through the senses / _cThomas Elsaesser and Malte Hagener. |
| 250 | _a2nd edition. | ||
| 264 | 1 |
_aLondon : _bRoutledge, _c2015. |
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| 300 |
_a256 pages : _billustrations |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 500 | _aPrevious edition: 2010. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aWhat is the relationship between the cinema and the spectator? Film scholars Thomas Elsaesser and Malte Hagener use this central question to guide students through all of the major film theories - from the classical period to today. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
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| 650 | 0 | _aMotion picture audiences. | |
| 650 | 0 |
_aMotion pictures _xPsychological aspects. |
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| 650 | 0 | _aSenses and sensation. | |
| 700 | 1 |
_aHagener, Malte, _d1971- _eauthor. |
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| 942 | _n0 | ||
| 999 |
_c39841 _d39841 |
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