| 000 | 01960nam a22003618i 4500 | ||
|---|---|---|---|
| 001 | 682464 | ||
| 005 | 20210719170116.0 | ||
| 008 | 150820s2015 enka 000|0|eng|d | ||
| 020 |
_a9781846381584 (pbk.) : _c£9.95 |
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| 035 | _a(StDuBDS)9781846381584 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aPHO _2eflch |
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| 072 | 7 |
_aPHO _2ukslc |
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| 082 | 0 | 4 |
_a779'.092 _223 |
| 100 | 1 |
_aAnton, Saul, _eauthor. |
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| 245 | 1 | 0 |
_aLee Friedlander - the little screens / _cSaul Anton. |
| 246 | 3 | 0 | _aLittle screens |
| 264 | 1 |
_aLondon : _bAfterall Books, _c2015. |
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| 300 |
_a112 pages : _billustrations (black and white) ; _c22 cm. |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aAfterall | |
| 520 | 8 | _aLee Friedlander's The Little Screens first appeared as a 1963 photo-essay in Harper's Bazaar. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's The Americans, The Little Screens grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander is known for his use of surfaces and reflections, from storefront windows to landscapes viewed through car windshields, to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. | |
| 600 | 1 | 0 |
_aFriedlander, Lee. _tLittle screens. |
| 650 | 0 | _aPhotography, Artistic. | |
| 650 | 7 |
_aPhotography. _2eflch |
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| 650 | 7 |
_aPhotography. _2ukslc |
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| 700 | 1 | 2 |
_aFriedlander, Lee. _tWorks. _kSelections. |
| 830 | 0 | _aAfterall. | |
| 942 | _n0 | ||
| 999 |
_c38693 _d38693 |
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