| 000 | 01028nam a2200265 a 4500 | ||
|---|---|---|---|
| 001 | 681946 | ||
| 005 | 20210719165946.0 | ||
| 008 | 070906r20081968enk 000 0 eng d | ||
| 020 |
_a9780141189222 (pbk.) : _c£9.99 |
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| 020 |
_a0141189223 (pbk.) : _c£9.99 |
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| 035 | _a()0141189223 | ||
| 040 |
_aStDuBDS _cStDuBDS _dUkLoUWL |
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| 072 | 7 |
_aPER _2eflch |
|
| 082 | 0 | 4 |
_a792 _222 |
| 100 | 1 |
_aBrook, Peter, _d1925- |
|
| 245 | 1 | 4 |
_aThe empty space / _cPeter Brook. |
| 260 |
_aLondon : _bPenguin, _c2008. |
||
| 300 |
_a157 p. ; _c20 cm. |
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| 490 | 1 | _aModern classics | |
| 500 | _aOriginally published: London: McGibbon & Kee, 1968. | ||
| 520 | 8 | _a'I can take any empty space and call it a bare stage', so begins Peter Brook's 1968 exploration of theatre, and his own life and career in it. He describes the, as he sees it, four types of theatre - deadly, holy, rough and immediate - and recounts his groundbreaking work at the Royal Shakespeare Company. | |
| 650 | 0 | _aTheater. | |
| 830 | 0 | _aModern classics. | |
| 942 | _n0 | ||
| 999 |
_c38443 _d38443 |
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