| 000 | 03007nam a2200469 i 4500 | ||
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| 001 | 679691 | ||
| 005 | 20230322123937.0 | ||
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| 007 | cr|||||||||||| | ||
| 008 | 110912s2013 enka fs 001|0|eng|d | ||
| 020 | _a9780203146446 (ebook) | ||
| 035 | _a(StDuBDS)AH24509445 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda _epn _dUkPrAHLS |
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| 072 | 7 |
_aPER _2ukslc |
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| 072 | 7 |
_aJFD _2bicssc |
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| 072 | 7 |
_aJBCT _2thema |
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| 072 | 7 |
_aATFX _2thema |
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| 100 | 1 |
_aDe Valk, Mark, _eauthor. |
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| 245 | 1 | 4 |
_aThe film handbook / _cMark de Valk with Sarah Arnold |
| 264 | 1 |
_aLondon : _bRoutledge, _c2013. |
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| 300 |
_a1 online resource (xxii, 323 pages) : _billustrations (black and white). |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_acomputer _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 366 | _b20130502 | ||
| 490 | 1 | _aMedia practice | |
| 504 | _aIncludes bibliographical references, filmography and index. | ||
| 520 | 8 | _aThe Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today's `digital film' productions. It reflects on how critical analysis' of film underpins practice and story, and how developing an autonomous `vision' will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent `guerrilla' film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms. The Film Handbook relates theory to the filmmaking process and includes: documentary, narrative and experimental forms, including deliberations on `reading the screen', genre, mise-en-scne, montage, and sound design new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music the short film form, theories of transgressive and independent `guerrilla' filmmaking, the avant-garde and experimental as a means of creative expression preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work. | |
| 533 |
_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web. |
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| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aMotion pictures _xProduction and direction. |
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| 650 | 7 |
_aPerforming Arts. _2ukslc |
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| 650 | 7 |
_aMedia studies _2thema |
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| 650 | 7 |
_aFilm production: technical & background skills _2thema |
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| 655 | 7 | _2lcsh | |
| 700 | 1 |
_aArnold, Sarah, _eauthor. |
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| 776 | 0 | 8 |
_iPrint version : _z9780415557610 |
| 830 | 0 | _aMedia practice. | |
| 856 | 4 | 0 | _uhttp://www.vlebooks.com/vleweb/product/openreader?id=WestLondon&isbn=9780203146446 |
| 942 |
_n0 _2ddc |
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| 999 |
_c36885 _d36885 |
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