000 | 01701nam a22003618i 4500 | ||
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001 | 678978 | ||
005 | 20210719164812.0 | ||
008 | 140801s2014 enk f 001|0|eng|d | ||
020 |
_a9781409469810 (hbk.) : _c£50.00 |
||
020 |
_z9781472410290 (ePub ebook) : _cNo price |
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020 |
_z9781472410283 (PDF ebook) : _cNo price |
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035 | _a(StDuBDS)9781409469810 | ||
040 |
_aStDuBDS _cStDuBDS _erda _dUkLoUWL |
||
072 | 7 |
_aMUS _2eflch |
|
072 | 7 |
_aMUS _2ukslc |
|
082 | 0 | 4 |
_a780.7'8 _223 |
245 | 0 | 0 |
_aCoughing and clapping : _binvestigating audience experience / _cedited by Karen Burland and Stephanie Pitts. |
264 | 1 |
_aFarnham : _bAshgate, _c2014. |
|
300 |
_a218 pages ; _c24 cm. |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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490 | 1 | _aSEMPRE studies in the psychology of music | |
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aThis collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. It brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question. | |
521 | _aSpecialized. | ||
650 | 0 |
_aMusic audiences _xPsychological aspects. |
|
650 | 0 |
_aConcerts _xPsychological aspects. |
|
700 | 1 |
_aBurland, Karen, _eeditor. |
|
700 | 1 |
_aPitts, Stephanie, _eeditor. |
|
830 | 0 | _aSEMPRE studies in the psychology of music. | |
942 | _n0 | ||
999 |
_c36479 _d36479 |