000 | 01321nam a22003138a 4500 | ||
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001 | 678854 | ||
005 | 20210719164745.0 | ||
008 | 020923s2003 ncua f b 001 0 eng d | ||
020 |
_a9780822330134 (pbk.) : _c£17.50 |
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020 |
_a082233013X (pbk.) : _c£17.50 |
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020 |
_a9780822330042 (hbk.) : _c£54.00 |
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020 |
_a0822330040 (hbk.) : _c£54.00 |
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035 | _a()082233013X | ||
040 |
_aStDuBDS _cStDuBDS _dUkLoUWL |
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082 | 0 | 4 |
_a621.3'893'09 _221 |
100 | 1 | _aSterne, Jonathan. | |
245 | 1 | 4 |
_aThe audible past : _bcultural origins of sound reproduction / _cJonathan Sterne. |
260 |
_aDurham, N.C. ; _aLondon : _bDuke University Press, _c2003. |
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300 |
_a448 p. : _bill. ; _c23 cm. |
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504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aJonathan Sterne describes the distinctive sound culture that gave rise to the sound recording & transmission devices so ubiquitous in modern life. He challenges theoretical common places, such as the visual bias in theories of modernity & static descriptions of nature. | |
521 | _aSpecialized. | ||
650 | 0 |
_aSound _xRecording and reproducing _xHistory. |
|
650 | 0 |
_aSound recording industry _xSocial aspects. |
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650 | 0 | _aSound in mass media. | |
650 | 0 |
_aSound recordings _xSocial aspects. |
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650 | 0 | _aPopular culture. | |
942 | _n0 | ||
999 |
_c36387 _d36387 |