000 | 01547nam a2200349 a 4500 | ||
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001 | 677466 | ||
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008 | 110526s2011 enkaf f 001 0 eng|d | ||
020 |
_a9781844574360 (pbk.) : _c£18.99 |
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020 |
_a1844574369 (pbk.) : _c£18.99 |
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_a9781844574377 (hbk.) : _c£45.00 |
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020 |
_a1844574377 (hbk.) : _c£45.00 |
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035 | _a(StDuBDS)1844574369 | ||
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_aStDuBDS _cStDuBDS |
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072 | 7 |
_aPER _2eflch |
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082 | 0 | 4 |
_a791.4'3611'09 _223 |
100 | 1 | _aRees, A. L. | |
245 | 1 | 2 |
_aA history of experimental film and video : _bfrom the canonical avant-garde to contemporary British practice / _cA.L. Rees. |
250 | _a2nd edition. | ||
260 |
_aBasingstoke : _bPalgrave Macmillan, _c2011. |
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300 |
_axii, 196 p., [16] p. of plates : _bill. (some col.) ; _c24 cm. |
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500 | _aPrevious ed.: London: BFI, 1999. | ||
500 | _aPublished on behalf of the British Film Institute. | ||
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aThis second edition covers the history of avante-garde film and video, ranging from Cezanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. | |
521 | _aSpecialized. | ||
650 | 0 |
_aExperimental films _xHistory and criticism. |
|
650 | 0 | _aVideo art. | |
650 | 7 |
_aPerforming Arts. _2eflch |
|
710 | 2 | _aBritish Film Institute. | |
942 | _n0 | ||
999 |
_c35633 _d35633 |