| 000 | 01661nam a22003378i 4500 | ||
|---|---|---|---|
| 001 | 677144 | ||
| 005 | 20210719164242.0 | ||
| 008 | 140811s2014 gw a 000 0 eng|d | ||
| 020 |
_a9783869307930 (hbk.) : _c£32.00 |
||
| 035 | _a(StDuBDS)9783869307930 | ||
| 040 |
_aStDuBDS _cStDuBDS _erda |
||
| 072 | 7 |
_aPHO _2eflch |
|
| 072 | 7 |
_aPHO _2ukslc |
|
| 082 | 0 | 4 |
_a779'.092 _223 |
| 100 | 1 |
_aEggleston, William, _d1939- _ephotographer. |
|
| 240 | 1 | 0 |
_aWorks. _kSelections |
| 245 | 1 | 0 | _aWilliam Eggleston - from black & white to color. |
| 246 | 3 | 0 | _aFrom black & white to color |
| 264 | 1 |
_aGöttingen : _bSteidl, _c2014. |
|
| 300 |
_a1 volume : _bchiefly illustrations (black and white, and colour) |
||
| 336 |
_atext _2rdacontent |
||
| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
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| 520 | 8 | _aAt the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston eventually developed his own style which later shaped his seminal work - an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. This book includes some exceptional as yet unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Egglestons work when he began photographing in colour at the end of the 1960s. | |
| 600 | 1 | 0 |
_aEggleston, William, _d1939- |
| 650 | 0 | _aPhotography, Artistic. | |
| 650 | 7 |
_aPhotography. _2eflch |
|
| 650 | 7 |
_aPhotography. _2ukslc |
|
| 942 | _n0 | ||
| 999 |
_c35494 _d35494 |
||