000			02144nam a22003618a 4500
001			676393
005			20210719164018.0
008			110314s2011 enk b 001 0 eng
010			_a2011011229
020			_a9781847886873 (cloth)
020			_a9781847886866 (pbk.)
035			_a(UK-BiTAL)d92bb849-4eef-4bd3-a9c8-a5292df34dbc
035			_a(DLC) 2011011229
035			_a(UK-MaMUL)1944300
040			_aDLC _cDLC
042			_apcc
050	0	0	_aPN1995.9.Y6 _bD75 2011
082	0	0	_a791.430835 _222
084			_aART057000 _aPER004030 _aSOC047000 _2bisacsh
100	1		_aDriscoll, Catherine.
245	1	0	_aTeen film : _ba critical introduction / _cCatherine Driscoll.
260			_aOxford ; _aNew York : _bBerg, _c2011.
263			_a1106
300			_ap. cm.
490	0		_aFilm genres, _x1757-6431
504			_aIncludes bibliographical references and index.
520			_a"What makes a film a teen film? And why, when it represents such powerful and enduring ideas about youth and adolescence, is teen film usually viewed as culturally insignificant? Teen film is usually discussed as a representation of the changing American teenager, highlighting the institutions of high school and the nuclear family and experiments in sexual development and identity formation. But not every film featuring these components is a teen film and not every teen film is American. Arguing that teen film is always a story about becoming a citizen and a subject, Teen Film presents a new history of the genre, surveys the existing body of scholarship, and introduces key critical tools for discussing teen film. Surveying a wide range of films including The Wild One, Heathers, Donnie Darko and Buffy the Vampire Slayer, the book's central focus is on what kind of adolescence teen film represents, and on teen film's capacity to produce new and influential images of adolescence"-- _cProvided by publisher.
650		0	_aTeen films _xHistory and criticism.
650		0	_aTeenagers in motion pictures.
650		7	_aART / Film & Video _2bisacsh.
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism _2bisacsh.
942			_n0
999			_c35074 _d35074