| 000 | 01249nam a22002778a 4500 | ||
|---|---|---|---|
| 001 | 675546 | ||
| 005 | 20210719163819.0 | ||
| 008 | 090605s2009 mnua f 001 0 eng|d | ||
| 020 |
_a9780816650699 (hbk.) : _c£42.00 |
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| 020 |
_a0816650691 (hbk.) : _c£42.00 |
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| 020 |
_a9780816650705 (pbk.) : _c£14.00 |
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| 020 |
_a0816650705 (pbk.) : _c£14.00 |
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| 035 | _a()0816650691 | ||
| 040 |
_aStDuBDS _cStDuBDS |
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| 082 | 0 | 4 |
_a363.2'58 _222 |
| 100 | 1 |
_aFinn, Jonathan M. _q(Jonathan Mathew), _d1972- |
|
| 245 | 1 | 0 |
_aCapturing the criminal image : _bfrom mug shot to surveillance society / _cJonathan Finn. |
| 260 |
_aMinneapolis, Minn. : _bUniversity of Minnesota Press ; _aBristol : _bUniversity Presses Marketing [distributor], _c2009. |
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| 300 |
_a200 p. : _bill. ; _c22 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aThis title traces how the act of representing and watching is central to modern law enforcement. Finn analyzes the development of police photography in the 19th century to foreground a critique of three identification practices that are fundamental to current police work. | |
| 521 | _aSpecialized. | ||
| 650 | 0 | _aLegal photography. | |
| 650 | 0 |
_aCriminals _xIdentification. |
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| 942 | _n0 | ||
| 999 |
_c34728 _d34728 |
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