| 000 | 01329nam a2200313 i 4500 | ||
|---|---|---|---|
| 001 | 671977 | ||
| 005 | 20210719163220.0 | ||
| 008 | 130521s2013 enka 001 0 eng|d | ||
| 020 |
_a9780500290958 (pbk.) : _c£9.99 |
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| 035 | _a(StDuBDS)9780500290958 | ||
| 040 |
_aStDuBDS _cStDuBDS _erda _dUK-LoTVU |
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| 072 | 7 |
_aPHO _2eflch |
|
| 072 | 7 |
_aPHO _2ukslc |
|
| 082 | 0 | 4 |
_a770.9'04 _223 |
| 100 | 1 |
_aHiggins, Jackie, _eauthor. |
|
| 245 | 1 | 0 |
_aWhy it does not have to be in focus : _bmodern photography explained / _cJackie Higgins. |
| 264 | 1 |
_aLondon : _bThames & Hudson, _c2013. |
|
| 300 |
_a224 pages : _billustrations (black and white, and colour) ; _c21 cm |
||
| 336 |
_atext _2rdacontent |
||
| 336 |
_astill image _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
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| 500 | _aIncludes index. | ||
| 520 | 8 | _aFrom portraits to documentary images and from abstractions to landscapes, Jackie Higgins identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph. | |
| 650 | 0 | _aComposition (Photography) | |
| 650 | 0 |
_aPhotography, Artistic _y20th century. |
|
| 650 | 0 | _aPhotographic criticism. | |
| 942 | _n0 | ||
| 999 |
_c33685 _d33685 |
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