| 000 | 01556nam a2200337 i 4500 | ||
|---|---|---|---|
| 001 | 625062 | ||
| 005 | 20210719162710.0 | ||
| 008 | 121130s2013 enka f 001 0 eng|d | ||
| 020 |
_a9780500238950 (hbk.) : _cNo price |
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| 035 | _a(StDuBDS)9780500238950 | ||
| 040 |
_aStDuBDS _cStDuBDS _erda _dUK-LoTVU |
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| 072 | 7 |
_aART _2eflch |
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| 072 | 7 |
_aART _2ukslc |
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| 082 | 0 | 4 |
_a709 _223 |
| 245 | 0 | 4 |
_aThe books that shaped art history : _bfrom Gombrich and Greenberg to Alpers and Krauss / _cedited by Richard Shone, John-Paul Stonard. |
| 264 | 1 |
_aLondon : _bThames & Hudson, _c2013. |
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| 300 |
_a264 pages : _billustrations (black and white) ; _c25 cm |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aCommissioned by the editors of the Burlington Magazine, and written by leading art historians and curators, this book provides an invaluable roadmap of the field by re-examining the canonical works of art history. It looks at the foundational texts of the discipline, from Emile Males magisterial 1898 study of thirteenth-century French art to Hans Beltings provocative 'Likeness and presence' in 1990. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aArt literature _xHistory and criticism. |
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| 650 | 0 |
_aArt _xHistoriography. |
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| 650 | 0 | _aBest books. | |
| 700 | 1 |
_aShone, Richard, _eeditor of compilation. |
|
| 700 | 1 |
_aStonard, John-Paul, _d1973- _eeditor of compilation. |
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| 942 | _n0 | ||
| 999 |
_c32909 _d32909 |
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