| 000 | 01007nam a2200253 a 4500 | ||
|---|---|---|---|
| 001 | 623635 | ||
| 005 | 20210719162409.0 | ||
| 008 | 081021s2009 mauac f 001 0 eng|d | ||
| 020 |
_a9780262013147 (hbk.) : _c£18.95 |
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| 020 |
_a0262013142 (hbk.) : _c£18.95 |
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| 035 | _a()0262013142 | ||
| 040 |
_aStDuBDS _cStDuBDS _dUK-LoTVU |
||
| 082 | 0 | 4 |
_a786.7 _222 |
| 100 | 1 |
_aKelly, Caleb, _d1972- |
|
| 245 | 1 | 0 |
_aCracked media : _bthe sound of malfunction / _cCaleb Kelly. |
| 260 |
_aCambridge, Mass. ; _aLondon : _bMIT Press, _cc2009. |
||
| 300 |
_a388 p. : _bill., ports. ; _c18 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aThis work looks at how the deliberate cracking and breaking of playback media has produced experimental music and sound by artists and musicians ranging from Nam June Paik and Christian Marclay to Yasunao Tone and Oval. | |
| 521 | _aSpecialized. | ||
| 650 | 0 | _aAvant-garde (Music) | |
| 650 | 0 |
_aGlitch music _xHistory and criticism. |
|
| 942 | _n0 | ||
| 999 |
_c32453 _d32453 |
||