000			01189nam a22002055a 4500
001			612453
005			20210719160859.0
008			110125s2010 xxua frb |||1 ||eng d
020	0		_a9780520260429
040			_aUK-LoTVU _dUK-LoTVU
100	1		_aChametsky, Peter.
245	1	0	_aObjects as history in twentieth-century German art : _bBeckmann to Beuys / _cPeter Chametsky.
260			_aBerkley, Calif. : _bUniversity of California Press, _c2010.
300			_axi, 286 p. $; bill. (b&w) ; _c26 cm.
504			_aIncludes bibliography (p. 255-268) and index.
505	0		_aTitanic sinks, Departure arrives: Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object - Lost and found Dada objects and subjects: George Frosz, Hannah Höch, and German Jewish identity - Objects as interpretation - Absender: ich: Willi Baumeister's anti-Nazi works as objects of (s)exchange - Sculpture and crime: Arno Breker - From muscle men to fatty remains: Josseph Beuys's sculptural objects beyond objecthood - Conclusion: beyond Beuys: Gerhard Richter's choice.
650		0	_aArt and history _zGermany.
650		0	_aArt, German _y20th century.
942			_n0
999			_c29916 _d29916