000 | 01152nam a22002658a 4500 | ||
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001 | 585404 | ||
005 | 20210719154952.0 | ||
007 | ta | ||
008 | 071211s2007 nyu f b 001 0 eng d | ||
020 |
_a9780195324785 (pbk.) : _c£19.99 |
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020 |
_a0195324781 (pbk.) : _c£19.99 |
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035 | _a()0195324781 | ||
040 |
_aStDuBDS _cStDuBDS _dUK-LoTVU |
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082 | 0 | 4 |
_a780.1 _222 |
100 | 1 | _aGoehr, Lydia. | |
245 | 1 | 4 |
_aThe imaginary museum of musical works : _ban essay in the philosophy of music / _cLydia Goehr. |
250 | _aRevised ed. | ||
260 |
_aNew York ; _aOxford : _bOxford University Press, _c2007. |
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300 |
_axi, 314 p. ; _c24 cm. |
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500 | _aPrevious ed.: Oxford: Clarendon, 1992. | ||
504 | _aIncludes bibliography (p.[289]-299) and index. | ||
520 | _aIn this book, Lydia Goehr describes how the concept of a musical work fully crystallized around 1800, and subsequently defined the norms, expectations, and behavioral patterns that have come to characterise classical musical practice. The description is set in the context of a more general philosophical account. | ||
650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
|
942 | _n0 | ||
999 |
_c26208 _d26208 |