| 000 | 00888cam a22002898a 4500 | ||
|---|---|---|---|
| 001 | 418585 | ||
| 005 | 20210719144756.0 | ||
| 008 | 010709s2002 xxu b 000 0 eng|| | ||
| 020 |
_a0262011867 : (hc. : alk. paper) _cCIP entry |
||
| 035 | _a(UK-LoTVU)0262011867 | ||
| 035 | _a(DLC)2001044155 | ||
| 040 |
_aDLC _cDLC _dUkLoUWL |
||
| 050 | 0 | 0 | _aN7480 |
| 082 | 0 |
_a701/.18 _221 |
|
| 100 | 1 |
_aAckerman, James S. _q(James Sloss) |
|
| 245 | 1 | 0 |
_aOrigins, imitation, conventions : _brepresentation in the visual arts / _cJames S. Ackerman. |
| 260 |
_aCambridge, Mass. : _bMIT Press, _c2002. |
||
| 263 | _a0111 | ||
| 300 | _ap. cm | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 650 | 0 |
_aArt criticism _xHistoriography. |
|
| 650 | 0 |
_aArt _xHistoriography. |
|
| 650 | 0 | _aArt, Renaissance. | |
| 650 | 0 | _aModernism (Art) | |
| 650 | 0 | _aPoststructuralism. | |
| 942 | _n0 | ||
| 999 |
_c11674 _d11674 |
||